Public art is no longer a detail added to a finished building—it is a subject that shapes how people experience a space, how they move through it, and how they remember it.
In our fourteen years of experience, we have seen how a single piece of art, placed correctly, can change the identity of an entire project. The impetus for this is to treat art as part of the architecture from day one, not as an afterthought.
In this article, when giving artists choices, balancing budgets, and measuring the value of artistic creation in spaces, the essential condition we use is that people will be left with a pleasant impression.